While we may marvel at the frames we can record per second on our marvelous new cameras we still come back to what has been referred to as the golden standard of film production.
24 frames per second camera.
There has always been a deeply passionate romance with shooting at 24 frames per second fps for films.
24 frames per second was chosen not because it is the minimum or maximum frames the human brain can process but because it is the middle ground between quality and cost using higher frame rates would increase the size of the video and therefore the cost while using lower frames would negatively affect the quality.
4k viewing recording metal housings live 30 frames per second video 90 120 foot color night vision bullet motorized zoom lens dome built in mic audio recording.
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So edison built a camera and film projection system that operated at at a high frame rate.
The same is true for the frame rates that we shoot at.
They shoot 24 full progressive frames per second.
24p material can be recorded directly into formats that support the framerate.
24p cameras do not as ntsc video cameras do shoot 30 interlaced frames per second 60 fields.
Some of the emerging hd formats support the 24p framerate in addition to 60i and 50i pal.
Economics dictated shooting closer to the threshold of the illusion and most silent films were filmed around 16 18 frames per second fps then projected closer to 20 24.
This 24 camera kit features.